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Free for Commercial Use

Sans Superellipse Oslir 12 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Whitney' by Hoefler & Co., 'JAF Bernini Sans' by Just Another Foundry, 'Morandi' by Monotype, and 'Akwe Pro' by ROHH (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, signage, sturdy, friendly, modern, confident, utilitarian, impact, approachability, modernization, clarity, robustness, soft corners, compact, blocky, clean, high impact.


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This typeface uses hefty, compact letterforms with softly rounded corners and an overall squared-off geometry. Curves are simplified into superellipse-like bowls and arches, producing a consistent, machined rhythm with minimal stroke modulation. Counters tend to be tight and shapes feel dense, while terminals are clean and blunt rather than tapered. The lowercase is notably large relative to capitals, and the numerals share the same robust, rounded-rectilinear construction for a cohesive texture in mixed settings.

It performs best in display sizes where its dense strokes and softened geometry can deliver strong impact—headlines, logos, packaging, and short UI or signage labels. In paragraph settings it remains readable, but its heavy texture is especially effective for emphasis, titles, and compact typographic layouts.

The design reads as modern and practical, with a friendly softness coming from the rounded corners and simplified curves. Its dense color and blunt construction give it a confident, no-nonsense voice that still feels approachable rather than severe. The overall tone suits contemporary branding that wants impact without sharpness.

The font appears intended to provide a contemporary, high-impact sans with a softened, rounded-rectangle skeleton. Its goal seems to be combining strong visibility with a friendly edge, keeping forms simple and consistent for reliable reproduction across print and screen contexts.

Round letters like O/C/G and the bowls of b/p/q lean toward squared curves, reinforcing a superellipse structure. The uppercase has a strong, poster-like presence, while the lowercase maintains clarity through open joins and straightforward construction. Spacing appears even and stable, supporting solid word shapes in the paragraph sample.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸