Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Sans Normal Adram 11 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Rabona' by AcidType, 'BR Segma' by Brink, 'Remoto' by JAM Type Design, 'Breno' by Monotype, and 'Helios Antique' by W Type Foundry (names referenced only for comparison).

Keywords: ui design, editorial, branding, wayfinding, posters, modern, technical, clean, dynamic, neutral, clarity, modernity, motion, utility, systematic design, oblique, geometric, monoline, open apertures, tall ascenders.


Free for commercial use
Customize the font name

This typeface is a clean, oblique sans with a monoline construction and rounded, geometric curves. Letterforms show open apertures and generous interior counters, with smooth joins and minimal stroke modulation. Proportions feel slightly expanded, and the slant is consistent across capitals, lowercase, and numerals, creating a steady forward rhythm. Curves in characters like C, O, and S are broadly circular, while diagonals (V, W, X, Y) are crisp and straight, giving a balanced mix of softness and precision.

It is well-suited to interface and product typography where a modern oblique voice is desired without sacrificing clarity. The expanded feel and open counters can help in headings, short editorial passages, and informational graphics. It can also work for contemporary branding systems and signage where a clean, forward-leaning sans is appropriate.

The overall tone is contemporary and efficient, with a subtle sense of motion from the oblique angle. It reads as neutral and professional rather than expressive, leaning toward a modern, tech-adjacent feel. The clarity of the shapes keeps it approachable and matter-of-fact.

The design appears intended to deliver a neutral, modern sans with a built-in sense of movement, achieved through consistent obliquing and geometric, low-modulation strokes. Its emphasis on open forms and steady rhythm suggests a focus on legibility and functional versatility across display and text settings.

Capitals are clean and uncomplicated, with straightforward terminals and minimal stylistic quirks. The lowercase maintains clear differentiation and legibility, supported by open shapes and consistent spacing. Numerals appear simple and utilitarian, matching the letterforms’ restrained, geometric logic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸