Sans Other Rowy 10 is a bold, narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, signage, industrial, techno, modular, utilitarian, retro, display impact, tech styling, compact set, constructed forms, angular, squared, condensed, blocky, stencil-like.
A condensed, geometric sans with squared outlines and a modular, rectilinear construction. Strokes are consistently heavy with minimal contrast, and corners are predominantly sharp, producing a crisp, machined silhouette. Curves are largely rationalized into flats and tight radii (notably in bowls and numerals), while counters tend to be narrow and rectangular. Several glyphs show deliberate cut-ins and notches—especially around joins and terminals—creating a segmented, almost stencil-like rhythm and a distinctive, engineered texture in text.
Best suited to display settings such as headlines, posters, logotypes, packaging, and short UI or product labeling where the geometric construction can carry the visual identity. It can also work for wayfinding-style signage or tech-themed graphics, particularly when set with generous tracking to open up the narrow counters.
The overall tone is technical and industrial, with a retro digital flavor reminiscent of mechanical labeling, arcade-era display lettering, or schematic titling. Its angular economy and deliberate gaps convey a functional, no-nonsense attitude that reads as futuristic without being sleek.
The design appears intended to deliver a compact, high-impact voice built from simple, repeatable modules, emphasizing a fabricated, machine-made aesthetic. The notched joins and squared forms suggest an aim to stand apart from neutral grotesks by adding engineered character while maintaining a clean sans foundation.
In longer lines, the repeated verticals and tight apertures create a strong barcode-like cadence, so spacing and size will meaningfully affect clarity. The design’s signature notches and squared counters become more pronounced at larger sizes, where the constructed detailing reads as intentional rather than dense.