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Free for Commercial Use

Sans Superellipse Orkoj 4 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Alternate Gothic Pro Antique' and 'Alternate Gothic Pro EF' by Elsner+Flake, 'Benton Sans' and 'Benton Sans Std' by Font Bureau, 'ITC Franklin' by ITC, 'Alternate Gothic' by Linotype, and 'Alternate Gothic Pro' by SoftMaker (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, packaging, industrial, utility, modern, direct, compact, space-saving, high impact, modern utility, systematic design, condensed, geometric, square-rounded, monolinear, sturdy.


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This typeface is a condensed sans with heavy, monolinear strokes and tightly controlled proportions. Curves are built from rounded-rectangle geometry, giving bowls and counters a squared, superelliptical feel rather than purely circular forms. Terminals are predominantly flat and blunt, with minimal modulation and a compact rhythm that keeps letters crisp at display sizes. Counters are relatively tight and apertures are somewhat closed, emphasizing a dense, efficient silhouette across both uppercase and lowercase.

It performs best where space is limited but impact is needed, such as condensed headlines, poster typography, and wayfinding/signage systems. The dense, squared-round shapes also suit branding and packaging that want a strong, modern, utilitarian impression, and it can work for short blocks of text when a firm, compact texture is desired.

The overall tone is functional and assertive, with a pragmatic, industrial character. Its squared rounding and compact width read as modern and engineered rather than friendly or expressive, lending a straightforward voice suited to utilitarian communication.

The design appears intended to deliver maximum presence in a narrow footprint, using squared-round geometry and blunt terminals to maintain clarity and consistency. Its construction suggests a focus on efficient, modern typographic voice for display and functional applications.

Uppercase forms feel uniform and signage-like, while lowercase maintains the same engineered geometry, producing a consistent texture in paragraphs. Numerals are sturdy and compact, matching the letterforms’ dense proportions and reinforcing the font’s space-saving, high-impact presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸