Outline Lyhu 2 is a very bold, very wide, low contrast, upright, tall x-height font.
Keywords: headlines, logos, posters, packaging, sports branding, retro, techno, sporty, playful, futuristic, impact, branding, attention, signage, display, rounded, inline, monoline, blocky, soft corners.
A rounded, wide display design built from thick outline contours with an inline gap that reads as a hollow/outlined construction. Strokes maintain a largely even weight and smooth curvature, with softened corners and squared-off terminals that keep the shapes compact and sturdy. Counters are generous and simplified, and several forms (notably curves and bowls) lean toward geometric rounding rather than calligraphic modulation, producing a consistent, monoline rhythm. Spacing and widths vary by character, giving the alphabet an energetic, logo-like cadence while remaining highly legible at large sizes.
Best used for headlines, wordmarks, badges, and poster-style typography where the outline detail can be appreciated. It also fits packaging, event graphics, and sporty or tech-themed branding that wants a bold, energetic presence. For longer text, it will be most effective in short phrases or large-scale settings.
The overall tone feels retro-futuristic and sporty, with a bold, arcade-and-signage sensibility. The outlined construction adds a light, graphic punch that reads as playful and attention-seeking rather than formal. It suggests motion and modernity, making it well-suited to upbeat, high-impact messaging.
The design appears intended as a high-impact display face that combines wide, rounded geometry with an outlined, hollowed construction to maximize visual presence without filling in completely. The consistent stroke behavior and simplified shapes point to an aim of clear, contemporary legibility paired with a distinctive retro-tech character.
The outline/inline structure creates strong figure–ground effects and benefits from sufficient size and contrast in application so the interior negative space stays clear. The numerals and capitals share the same rounded-square geometry, helping headings and short bursts of text feel cohesive.