Distressed Puras 2 is a bold, very narrow, high contrast, upright, normal x-height font visually similar to 'EF DIN 1451' by Elsner+Flake, 'DIN 1451' by Linotype, 'DIN 2014' by ParaType, and 'DIN 1451 Engschrift' and 'Engschrift DIN 1421' by URW Type Foundry (names referenced only for comparison).
Keywords: posters, headlines, packaging, labels, signage, grunge, vintage, industrial, noisy, raw, distressed print, vintage stamp, rugged display, space-saving impact, condensed, textured, weathered, stamped, inked.
A condensed, all-caps–friendly display face with chunky vertical strokes and compact counters. Forms are largely monoline in structure but rendered with irregular ink texture: edges appear chipped and scuffed, and interiors show scattered voids that mimic worn printing. Terminals are mostly blunt and squared, with slightly uneven curves and subtle waviness that keeps the rhythm lively. The lowercase follows the same narrow proportions with simple, sturdy construction, and the numerals are compact and blocky, matching the overall rugged finish.
Best suited for headlines and short bursts of text where the distressed texture can be appreciated—posters, album/film graphics, event flyers, and bold editorial openers. It also fits packaging, labels, and signage that aims for a rugged, industrial, or vintage-print aesthetic, especially when used with generous tracking and ample size.
The font conveys a rough, utilitarian attitude—like stamped packaging, crate markings, or distressed poster type. Its texture introduces a gritty, analog feel that reads as aged, hard-used, and a bit rebellious, while the tight proportions keep it assertive and space-efficient.
The design appears intended to combine condensed, punchy letterforms with a deliberately worn print texture, creating an attention-grabbing display style that feels manufactured, stamped, and timeworn rather than clean or neutral.
Texture density varies within strokes, creating a convincing “printed-through-wear” effect that becomes more apparent at larger sizes. The narrow set width and strong vertical emphasis produce tight word shapes, while the distressed details can soften crispness in long passages or small sizes.