Sans Superellipse Hakud 4 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Military Jr34' by Casloop Studio, 'Evanston Tavern' by Kimmy Design, 'B52' by Komet & Flicker, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, branding, posters, ui labels, signage, tech, futuristic, industrial, game ui, utilitarian, systematic geometry, interface clarity, modern branding, display impact, squared, rounded corners, geometric, boxy, high contrast (shape).
A geometric sans with a squared, rounded-rectangle construction throughout. Strokes are monoline and heavy, with broad verticals and consistent terminals that end in softened corners rather than true circles. Counters tend to be rectangular or superelliptic, giving letters like O, D, and 0 a compact, boxy interior. Joins are clean and crisp; diagonals on A, K, V, W, X, and Y feel mechanically cut, while horizontal bars and apertures are wide and stable, producing a sturdy, modular rhythm in both caps and lowercase.
This style performs best in short-to-medium text settings where its strong geometry can carry the visual identity—headlines, posters, branding, packaging, and tech-forward layouts. It is also a natural fit for UI labels, dashboards, and signage where a structured, modular sans helps maintain clarity at a glance.
The overall tone is contemporary and technical, with a futuristic, interface-like flavor. Its rounded-square geometry suggests engineered precision—confident, utilitarian, and slightly retro-digital—well suited to designs that want to feel modern, structured, and systematic rather than expressive or handwritten.
The design appears intended to translate rounded-rectangle geometry into a cohesive, modern sans with a clear system across letters and figures. By prioritizing consistent corner radii, compact counters, and robust strokes, it aims for a functional, screen-friendly voice that still feels distinctive and branded.
Distinctive details include the squared curves of C and G, an angular, flat-topped feel in many characters, and numerals that read like instrument-panel or scoreboard forms (notably the open shapes of 2/3 and the blocky 8/9). The lowercase remains straightforward and legible, keeping the same rounded-rectilinear logic without becoming overly quirky.