Hollow Other Vige 5 is a very bold, very wide, very high contrast, upright, tall x-height font visually similar to 'Sztos' by Machalski (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, kids media, playful, cartoon, bubbly, retro, chunky, impact, whimsy, novelty, texture, rounded, soft, puffy, ink-trap, cutout.
A heavy, rounded display face with inflated, soft-cornered letterforms and broad proportions. Strokes are solid but punctuated by irregular interior knockouts and small cut-in notches that read like deliberate “hollows” rather than counters alone, creating a lively, cutout texture across the alphabet. Curves are generously radiused, terminals are blunt, and joins are smooth, giving the set a molded, rubbery silhouette. Spacing appears comfortable at display sizes, with consistent massing and a steady baseline presence; numerals match the letters’ chunky proportions and share the same internal cutout behavior.
Best suited to headlines, posters, logos, and short bursts of copy where its chunky silhouettes and hollowed details can be appreciated. It fits playful branding, packaging, event promos, kids-oriented media, and casual entertainment contexts where a bold, characterful display voice is desired.
The overall tone is fun, friendly, and slightly mischievous—more toy-like and animated than formal. The hollowed details add a quirky, handcrafted energy that feels retro and gamey, making the text look bouncy and attention-grabbing.
Likely designed to deliver maximum impact with rounded, friendly forms while introducing distinctive hollowed cutouts to separate it from standard bubble fonts. The intention appears to be a high-energy display style that feels tactile and handmade, prioritizing personality and visual texture over understated neutrality.
The internal knockouts vary from glyph to glyph (small ovals, slots, and corner bites), which adds personality and motion while also increasing sparkle in dense text. The design relies on large shapes and clear silhouettes, so it reads best when given room and sized up; the cutouts become a defining texture at headline scales.