Sans Superellipse Jidak 6 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Bike Tag JNL' by Jeff Levine, 'Stallman' and 'Stallman Round' by Par Défaut, and 'Kimberley' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports graphics, techno, industrial, game ui, sci‑fi, rugged, impact, futurism, modularity, signage, rounded corners, squared forms, octagonal, stencil‑like, compact counters.
A heavy, geometric sans built from squared, superellipse-like shapes with consistently rounded corners. Strokes are uniform and blocky, with many curves resolved as chamfered or radiused turns rather than true circles. Counters tend to be rectangular and compact, apertures are tight, and joins are clean and mechanical, producing a dense texture in words. Overall spacing reads slightly tight and modular, with a distinctly squared rhythm across both uppercase and lowercase.
Best suited to short, high-impact settings such as headlines, branding marks, product titles, and packaging where its dense geometry can read as intentional and bold. It also fits interface-style graphics, esports or sports visuals, and sci‑fi/tech themed materials, while extended small-size text may feel heavy due to tight apertures and compact counters.
The face conveys a futuristic, engineered tone—assertive and utilitarian rather than friendly. Its rounded-rectangle construction suggests hardware interfaces, industrial labeling, and arcade-era digital graphics, giving it a confident, machine-made voice.
The design appears intended to deliver maximum impact with a cohesive rounded-rectangle system, prioritizing a strong, industrial silhouette and consistent modular rhythm across the character set.
Distinctive details include the boxy bowls and squared terminals throughout, plus a sharp, angular tail on the uppercase Q. The lowercase set largely mirrors the uppercase geometry, maintaining a unified, modular feel across cases and numerals.