Sans Normal Omdal 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'LCT Picon' by LCT; 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core; and 'Meutas' and 'Meutas Soft' by Trustha (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, friendly, confident, modern, approachable, clean, display impact, friendly branding, clarity, modern utility, rounded, geometric, sturdy, compact, high legibility.
This typeface is a heavy, rounded sans with smooth, geometric curves and largely uniform stroke weight. Counters are generous and open, with circular forms in letters like O, C, and G reading cleanly at display sizes. Terminals are mostly blunt with subtly softened corners, creating a sturdy silhouette without sharpness. Proportions feel compact and efficient, with wide-set capitals and sturdy lowercase forms that keep consistent rhythm across words.
It performs best in headlines, brand marks, and short bursts of copy where a strong, rounded sans can carry personality and impact. The sturdy shapes and open counters also suit signage and packaging where quick recognition is important, and it can work for UI labels when used with ample spacing.
The overall tone is friendly and contemporary, combining a soft roundness with a confident, no-nonsense presence. It feels approachable and upbeat rather than technical, making it suitable for messaging that needs to look clear, direct, and welcoming.
The design appears intended to deliver a modern, rounded sans voice with high clarity and strong visual presence. Its geometry and softened edges aim to balance bold impact with a personable, friendly feel for contemporary branding and display typography.
The lowercase shows simple, straightforward construction with minimal modulation and clear differentiation between similar shapes. Numerals match the letterforms in weight and roundness, producing a cohesive set for mixed text. In the sample paragraph, the dense weight creates strong color and emphasis, especially in headlines or short blocks.