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Free for Commercial Use

Sans Superellipse Fekam 2 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Brinova' by Digitype Studio, 'Gibstone' by Eko Bimantara, 'Sansmatica' by Fontop, 'Galeana' by Latinotype, 'Hype vol 3' by Positype, and 'Ordina' by Schriftlabor (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, confident, modern, punchy, attention grabbing, space saving, speed emphasis, brand impact, slanted, compressed, rounded corners, blocky, high impact.


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This typeface is a heavy, right-slanted sans with compact proportions and strongly rounded, superellipse-like curves. Strokes are thick and even, with minimal modulation, giving letters a dense, poster-ready color. Counters are relatively tight, terminals are blunt and rounded, and the overall construction favors simple geometric shapes with softened corners. The rhythm is energetic and compressed, and the numerals match the same sturdy, streamlined build for consistent texture across mixed copy.

Best suited to large-scale display settings where impact is the priority: headlines, posters, sports and fitness branding, bold packaging labels, and short signage messages. It also works well for punchy subheads or callouts where a compact, energetic voice is needed.

The overall tone is assertive and fast, with a sporty, headline-driven attitude. Its slant and mass create a sense of motion and emphasis, reading as contemporary, confident, and slightly aggressive in a way that suits attention-grabbing messaging.

The design appears intended to deliver maximum visual punch in minimal horizontal space, combining a strong slant with rounded-rectangle geometry to feel fast, modern, and robust. Its consistent stroke weight and softened corners aim for a clean, contemporary display look that stays legible while projecting intensity.

Round letters (like O and C) read as squarish-oval forms with softened edges, reinforcing a technical, engineered feel rather than a calligraphic one. The heavy weight and condensed fit make spacing feel tight; at smaller sizes the interior spaces can close up, so it benefits from generous tracking and clear contrast with the background.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸