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Free for Commercial Use

Sans Superellipse Gebor 8 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Gotham' by Hoefler & Co., 'Taz' by LucasFonts, 'Fact' by ParaType, 'Robusta' by Tilde, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, loud, energetic, industrial, impact, motion, condensation, attention, condensed, oblique, blocky, rounded corners, compact counters.


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A compact, heavy sans with a pronounced rightward slant and tightly packed proportions. Strokes are thick and largely uniform, with rounded-rectangle (superelliptic) curves in bowls and counters that keep forms smooth rather than geometric-perfect. Letterforms are tall and compressed, with short extenders and a relatively large x-height, producing dense color and strong horizontal rhythm. Terminals are mostly blunt and squared-off, while curves stay softly rounded, creating a sturdy, engineered feel. Numerals and capitals follow the same compressed, muscular structure for consistent impact.

Best suited to short, high-impact settings such as headlines, posters, sports and event branding, packaging callouts, and bold signage. It performs especially well where a forward-leaning, condensed voice is needed to suggest motion and intensity, rather than for long-form reading.

The overall tone is fast, forceful, and contemporary—more like motion graphics or athletic branding than quiet editorial typography. Its compressed slant and heavy weight read as assertive and high-energy, conveying urgency and punch in headlines.

Designed to deliver maximum punch in minimal width: a dense, slanted display sans that combines blunt structure with softened superelliptic curves for a strong but approachable finish. The intent appears to be clear recognition and momentum in bold typographic statements.

The italic construction appears more like an oblique: the shapes keep their mass and squareness while simply leaning forward, which reinforces a mechanical, performance-driven character. Internal counters are compact, so spacing and line breaks benefit from a bit of breathing room at larger sizes.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸