Sans Other Agko 8 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bulltoad' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, sports branding, playful, chunky, friendly, retro, cartoonish, display impact, brand character, playful tone, retro flavor, soft corners, wedge terminals, ink-trap cuts, quirky, high impact.
A heavy, rounded sans with compact proportions and a distinctly sculpted, cut-in construction. Strokes are thick and even, with frequent wedge-like notches and triangular scoops at joins and terminals that create a lively, carved rhythm across letters and figures. Counters are generous for the weight, and curves are broadly drawn with softened corners rather than sharp geometry. The overall spacing and silhouettes favor bold, poster-like readability, while the distinctive cut-ins add texture and prevent forms from feeling purely monolithic.
Best suited to headlines, posters, packaging, and identity work where a bold, friendly voice is needed. It performs well at large sizes for titles, badges, menus, and signage, and can add character to short bursts of text such as pull quotes or social graphics.
The tone is upbeat and characterful, blending a retro display sensibility with a modern, punchy friendliness. Its chunky shapes and playful cut details feel approachable and slightly mischievous, lending a handcrafted, cartoon-adjacent energy without becoming script-like or decorative.
The design appears intended as a high-impact display sans that stays legible while adding a memorable, cut-in silhouette treatment. The recurring notches and wedge terminals suggest an aim to create a distinctive brandable texture—playful and robust—without relying on serifs or overt ornament.
Distinctive internal cutouts show up consistently in bowls, joins, and diagonals, giving a cohesive “chiseled” signature across uppercase, lowercase, and numerals. Round letters like O/C/G and figures like 2/3/5/9 carry the strongest personality, while straight-sided forms retain the same wedge-terminal language for consistency.