Sans Superellipse Okdim 1 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Fester' by Fontfabric, 'Helvetica Now' by Monotype, 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, 'Amsi Grotesk' by Stawix, 'Nuber Next' by The Northern Block, 'Nimbus Sans Novus' by URW Type Foundry, and 'Gineso Titling' by insigne (names referenced only for comparison).
Keywords: ui text, product labeling, wayfinding, dashboards, packaging, clean, modern, neutral, utilitarian, technical, clarity, space efficiency, system style, modern branding, rounded corners, soft terminals, compact, square-leaning, crisp.
This is a compact sans with rounded-rectangle geometry throughout: bowls and counters trend squarish with softened corners rather than true circles. Strokes stay even and steady, with blunt, gently rounded terminals that keep the texture smooth and consistent. The caps are tall and straightforward, while the lowercase maintains a tidy, controlled rhythm; curves in letters like C, S, and G feel engineered and slightly boxy. Figures follow the same superelliptical logic, producing solid, readable numerals with minimal ornament.
Well-suited to interface typography, data-heavy layouts, and concise labels where a compact footprint and consistent stroke texture help maintain clarity. It can also work for signage and packaging that benefits from a modern, approachable sans with controlled geometry.
The overall tone is contemporary and practical, balancing friendliness from the rounded corners with a disciplined, engineered feel. It reads as calm and matter-of-fact rather than expressive, suggesting clarity and reliability.
The design appears intended to deliver a clean, space-efficient sans that feels modern and system-ready, using superelliptical shapes to create a distinctive but restrained identity. Rounded corners soften the industrial geometry for everyday readability.
Round forms remain fairly closed and compact, giving words a dense, efficient color on the line. The uppercase has a strong, sign-like presence, while the lowercase stays highly legible with simple, familiar constructions and minimal stylistic quirks.