Sans Superellipse Ogkuv 8 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Roundkey' by 38-lineart, 'ATF Alternate Gothic' by ATF Collection, 'Bergk' by Designova, 'CF Blast Gothic' by Fonts.GR, 'Molde' by Letritas, and 'Hardley Brush' by Negara Studio (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, utilitarian, assertive, retro, compact, space saving, high impact, systematic, signage ready, modern industrial, rounded corners, squared curves, condensed, blocky, high contrast (mass).
A dense, condensed sans with heavy, even strokes and rounded-rectangle geometry throughout. Curves resolve into squarish bowls and terminals, producing a soft-cornered, superellipse feel rather than true circular forms. Counters are relatively tight for the weight, while apertures stay fairly open in letters like C, S, and e, helping shapes remain readable at display sizes. The overall rhythm is compact and vertical, with uniform stroke endings and minimal modulation for a clean, engineered look.
Best suited to short, high-impact text such as headlines, posters, labels, and branding where a compact footprint and strong presence are desirable. The condensed build can help fit more characters per line, and the softened corners make it appropriate for contemporary packaging and wayfinding with an industrial edge. For long passages at small sizes, the tight counters suggest using generous size and spacing for comfort.
The font conveys a tough, no-nonsense tone—confident, compact, and slightly retro-industrial. Its softened corners keep the voice approachable, but the mass and tight spacing read as bold and authoritative. The resulting personality feels suited to practical signage and punchy headlines rather than delicate editorial typography.
The design appears intended to deliver maximum visual impact in a compact width while maintaining a friendly, modern-industrial tone. By using rounded-rectangle curves and consistent stroke endings, it aims for a coherent, system-like feel that stays bold and legible in display applications.
Uppercase forms emphasize sturdy, squared bowls (B, D, P, R) and a firm, flat-shouldered structure, while lowercase maintains the same rounded-rectangle logic with compact counters and simplified joins. Numerals follow the same blocky, soft-cornered construction, keeping a consistent texture across mixed alphanumeric settings.