Sans Superellipse Wuny 10 is a very bold, very wide, medium contrast, upright, normal x-height font visually similar to 'Murs Gothic' by Kobuzan, 'PODIUM Sharp' by Machalski, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, sports graphics, packaging, confident, industrial, sporty, friendly, retro, impact, approachability, modern display, signage strength, brand presence, blocky, rounded, soft corners, compact counters, high impact.
A heavy, wide sans with rounded-rectangle construction and generous corner radii that give the forms a superelliptical feel. Strokes are uniformly thick with minimal modulation, producing dense black shapes and compact internal counters. Curves are squarish rather than circular, and joins tend to read as sturdy, engineered transitions; diagonals are thick and stable, while terminals are mostly blunt and softened. The overall rhythm is punchy and compact, with broad letter widths and short-looking apertures that prioritize mass and presence over delicacy.
Best suited for high-impact settings where the letterforms can be set large: headlines, posters, signage, brand marks, and bold packaging callouts. Its wide stance and dense color make it effective for short phrases, titles, and graphic lockups where clarity and presence matter more than extended-text comfort.
The tone is bold and assertive but not harsh, thanks to the softened corners and rounded geometry. It reads as contemporary and functional with a sporty, poster-like energy, evoking industrial labeling and retro display typography. The overall impression is approachable strength—loud, clear, and designed to hold attention.
The design appears intended to deliver maximum visual impact through wide proportions and chunky, rounded-rectangle geometry. By pairing heavy strokes with softened corners, it aims to feel both strong and approachable, providing a modern display sans that stays legible and cohesive in bold, attention-grabbing typography.
The sample text shows strong word-shape cohesion at large sizes, with tight-looking counters in letters like a, e, and s that increase the sense of weight. Rounded forms such as O and 0 are notably squarish, reinforcing the geometric, engineered personality. Numerals appear built to match the same wide, blocky proportions for consistent headline use.