Sans Superellipse Akfe 7 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Evanston Tavern' by Kimmy Design, 'LS Trappist 1' by Leviathan Science, and 'Nulato' by Stefan Stoychev (names referenced only for comparison).
Keywords: ui labels, signage, wayfinding, dashboards, packaging, modern, technical, clean, utilitarian, friendly, clarity, system design, modernization, approachability, rounded corners, squared curves, compact, geometric, monoline.
A compact sans with rounded-rectangle construction: curves resolve into softly squared corners, and round letters (O, C, G) feel superelliptical rather than purely circular. Strokes are largely monoline with crisp terminals, producing a tidy, engineered rhythm. Counters are moderately open, and the overall spacing reads slightly tight in capitals while remaining even and consistent across the set. Lowercase forms keep simple, functional shapes with squared dots on i/j and a single-storey a; figures follow the same squared-round logic, with a distinctive, boxed 0 and straightforward, angular 1–7 shapes.
It suits interface typography and product UI where a clear, structured voice is needed, especially for labels, menus, and status text. The squared-round shapes also work well for wayfinding, technical diagrams, and modern packaging where a clean, engineered aesthetic is desirable.
The tone is contemporary and practical, combining a technical, signage-like clarity with softened corners that keep it approachable. It suggests reliability and efficiency, with a subtle retro-futurist flavor driven by its rounded-rect geometry.
The font appears designed to merge geometric efficiency with a softened, human-friendly edge by basing forms on rounded rectangles. Its consistent monoline construction and compact rhythm prioritize clarity and a contemporary system feel across text and numerals.
The design leans on verticality and compact proportions, making words look orderly and columnar in text. Rounded corners are applied consistently across straight-to-curve joins, giving the face a cohesive, system-like presence from letters to numerals.