Sans Normal Bylaw 3 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Frutiger', 'Neue Frutiger Arabic', 'Neue Frutiger Cyrillic', 'Neue Frutiger Georgian', 'Neue Frutiger Hebrew', 'Neue Frutiger Paneuropean', 'Neue Frutiger Tamil', 'Neue Frutiger Thai', and 'Neue Frutiger Vietnamese' by Linotype (names referenced only for comparison).
Keywords: ui text, body text, signage, editorial, product design, clean, modern, neutral, humanist, versatility, legibility, clarity, neutrality, open apertures, rounded terminals, generous spacing, soft geometry, clear numerals.
This typeface presents as a clean sans with softly geometric construction and smooth, low-contrast strokes. Curves are round and even, with open apertures and unobtrusive joins that keep forms airy and readable. Proportions are balanced rather than condensed, with straightforward capitals and friendly lowercase shapes; the overall rhythm feels steady and consistent across letters and numerals. Terminals are mostly plain and gently rounded, contributing to a calm, contemporary texture in continuous text.
It suits interfaces, product copy, and general-purpose editorial text where clarity and an unobtrusive voice are priorities. The even color and open forms also make it a solid choice for straightforward signage and informational layouts.
The tone is neutral and modern, with a quiet friendliness that avoids both stark technicality and overt warmth. It feels practical and approachable—more everyday UI and editorial than display-driven or stylized.
The design appears intended as a versatile, general-purpose sans that prioritizes clarity, consistency, and a contemporary feel. Its restrained details and open shapes suggest it was drawn to perform reliably across a range of everyday typographic settings without imposing a strong stylistic signature.
In the sample text, word shapes stay clear at larger paragraph sizes, aided by open counters and relatively simple silhouettes. Numerals are clean and legible, matching the letterforms without calling attention to themselves.