Sans Superellipse Otgub 15 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Estandar' and 'Estandar Rounded' by Latinotype; 'Nusara' by Locomotype; and 'Darwin', 'Darwin Pro', 'Darwin Rounded', and 'Moderna Condensed' by Los Andes (names referenced only for comparison).
Keywords: headlines, branding, posters, ui labels, packaging, modern, friendly, confident, clean, techy, approachability, clarity, modernity, impact, geometric unity, rounded, blocky, geometric, compact, high legibility.
A heavy, geometric sans with broadly rounded corners and superellipse-like bowls that read as squared-off circles. Strokes are uniform and sturdy, with large counters and minimal contrast, producing a solid, even color on the page. Proportions feel compact and efficient: uppercase forms are wide and stable, while lowercase maintains clear differentiation with simple, open shapes. Terminals are clean and mostly straight-cut, and punctuation and numerals match the same robust, rounded-rectangular construction for a consistent rhythm.
It suits display settings where clarity and impact are needed, such as headlines, brand wordmarks, posters, and short marketing copy. The robust shapes and generous counters also make it a good candidate for UI labels, app navigation, and packaging callouts where quick recognition matters.
The overall tone is contemporary and approachable, pairing a friendly roundness with a confident, no-nonsense weight. Its geometry gives it a mildly tech-forward character, while the soft corners keep it from feeling cold or overly industrial.
The design appears intended to deliver a contemporary geometric voice with softened corners, balancing strong presence with approachability. Its consistent, superellipse-based construction suggests a focus on visual unity and dependable readability in prominent, high-contrast applications.
Curves tend to resolve into flattened arcs and rounded corners rather than pure circular forms, which emphasizes the superelliptical theme across O/C/G-like shapes. Diagonals (as in A, V, W, X, Y) are thick and stable, reinforcing the font’s strong, headline-oriented presence.