Sans Other Jabuv 6 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Decomputer' by DMTR.ORG and 'Sicret' and 'Sicret Mono' by Mans Greback (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, branding, art deco, retro, geometric, playful, futuristic, display impact, retro styling, geometric system, distinctive branding, decorative texture, rounded terminals, stencil-like, high contrast counters, compact forms, modular.
A geometric sans with monoline strokes, rounded corners, and a distinctly modular construction. Many letters are built from vertical stems and soft arches, with frequent intentional gaps that create a subtle stencil-like effect (notably in E/F and several lowercase forms). Counters tend to be small and cleanly shaped, with circular/oval bowls and simplified joins that keep the texture even. The caps are tall and compact, while the lowercase uses single-storey forms and simplified shapes that emphasize smooth curves and straight stems over calligraphic detail.
Best suited to headlines, short phrases, and branding where its geometric quirks can be appreciated. It works well for posters, packaging, and logo wordmarks that want a retro-modern, slightly futuristic voice; it’s most effective at medium-to-large sizes where the cut details remain clear.
The overall tone feels retro-futuristic and Art Deco–leaning, combining machine-like geometry with friendly rounded edges. Its deliberate cut-ins and simplified silhouettes give it a quirky, display-forward personality that reads as playful and stylized rather than neutral.
The design appears intended to offer a distinctive display sans built from simple geometric modules, balancing strict vertical structure with rounded arches. The recurring cut/gap motifs suggest a purposeful decorative system meant to add identity and a vintage-tech flavor without resorting to serifs.
In text, the rhythmic vertical emphasis and repeated rounded arches create a strong pattern, especially in words with multiple stems (e.g., m/n/u). The distinctive treatment of letters like J, Q, and Z adds character, but the stylistic gaps and compact counters can make it feel more decorative as size decreases.