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Sans Other Rymed 2 is a bold, very narrow, medium contrast, italic, short x-height font.

Keywords: headlines, posters, sports branding, tech interfaces, logotypes, futuristic, industrial, technical, sporty, assertive, speed emphasis, tech aesthetic, space saving, display impact, condensed, angular, geometric, oblique, chiseled.


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A tightly condensed oblique sans with sharply angled terminals and squared counters that read as cut from a slanted grid. Strokes are predominantly straight with minimal curvature, producing a crisp, mechanical rhythm; joins and apertures stay narrow, and several shapes use stepped or chamfer-like corners rather than smooth arcs. The uppercase set feels tall and compact, while the lowercase keeps a low profile with simplified forms and occasional extended ascenders/descenders that enhance the forward-leaning motion. Numerals and punctuation match the same angular construction, maintaining a consistent, engineered silhouette across text.

Best suited for high-impact headlines, posters, and branding where a condensed, forward-leaning voice helps convey motion and precision. It also works well for tech or game UI titling, sci‑fi themed graphics, and product labeling that benefits from a mechanical, angular texture. For long passages, generous sizing and spacing help preserve readability.

The overall tone is fast, technical, and slightly aggressive, evoking motorsport graphics, sci‑fi interfaces, and industrial labeling. Its sharp geometry and forward slant suggest speed and precision rather than softness or neutrality.

The design appears intended to deliver a compact, high-energy sans for modern display typography, emphasizing speed and a machined, geometric construction. Its consistent oblique stance and squared, cut-in details suggest a deliberate focus on futuristic and industrial aesthetics rather than a traditional text rhythm.

The font’s narrow internal spacing and angled cuts create strong texture in lines of text, with distinctive silhouettes in letters like the squared O/Q forms and the multi-stem construction seen in some glyphs. Because the design relies on tight apertures and sharp corners, clarity is strongest at display and large UI sizes where its engineered details remain legible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸