Sans Other Setu 1 is a regular weight, normal width, low contrast, italic, normal x-height font.
Keywords: headlines, posters, logos, game ui, sports branding, futuristic, technical, edgy, retro, techno voice, speed, sci-fi display, constructed geometry, angular, oblique, geometric, narrow, cornered.
A sharply angular sans with an oblique stance and a distinctly constructed, modular feel. Strokes are straight and low-contrast, with corners cut into crisp chamfers that create a faceted, polygonal rhythm across the alphabet. Counters tend toward squarish/rectilinear shapes, and terminals often end in short, flat spur-like cuts rather than smooth curves. The overall texture is compact and energetic, with slightly irregular, engineered-looking joins that emphasize a mechanical, built-from-segments impression.
Best suited to short, high-impact settings such as headlines, posters, event graphics, and logo wordmarks where its angular construction can be appreciated. It also fits interface display roles—especially game UI, sci‑fi themed screens, and technical labeling—when used at sizes that preserve its crisp corners and tight geometry. In longer paragraphs, it will read more as a stylized voice than a neutral text face.
The tone reads futuristic and technical, with a slightly aggressive, arcade-like edge. Its slanted geometry and faceted corners suggest speed, machinery, and digital interfaces rather than softness or neutrality. The aesthetic also carries a retro sci‑fi flavor, evoking late 20th‑century techno and game typography.
The font appears designed to deliver a fast, engineered, futuristic voice through oblique, geometric construction and consistent chamfered corners. Its goal seems to be strong visual personality and a cohesive techno rhythm across letters and numbers, prioritizing distinctive silhouette and motion over conventional humanist softness.
The design relies heavily on diagonal cuts and right angles, giving many letters a stencil-like, plotted character even though the forms remain continuous. Numerals follow the same squarish logic, keeping a consistent, angular color when mixed with text. The oblique angle is strong enough to add motion, so line settings appear dynamic and forward-leaning.