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Blackletter Fify 5 is a bold, narrow, high contrast, upright, normal x-height font.

Keywords: headlines, logotypes, mastheads, posters, packaging, ceremonial, historic, authoritative, gothic, heraldic, tradition, gravitas, display, heritage, impact, angular, faceted, wedge terminals, broken curves, chiseled texture.


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The letterforms are built from compact verticals and angular joins, with strong contrast between heavy stems and finer connecting strokes. Terminals are wedge-like and blade-cut, producing crisp points, notches, and broken curves that create a rhythmic, chiseled texture across a line. Counters are relatively tight and the overall silhouette stays condensed, giving dense color and a disciplined, upright stance. Numerals follow the same blackletter logic with pointed diagonals and compact, carved-in shapes.

Best suited to display typography where a historic or gothic flavor is desired, such as mastheads, logotypes, album or book titling, posters, packaging, and event branding. It performs well in short phrases, initials, and headline settings where the angular texture can be appreciated. For longer text, it will generally benefit from larger sizes and generous spacing to keep the dense forms from closing up.

This face projects a traditional, ceremonious tone with a distinctly historic voice. Its sharp, faceted forms and authoritative weight give it a solemn, formal presence that can feel gothic, heraldic, and slightly intimidating when set in large blocks. Overall, it reads as classic and ritualistic rather than casual or friendly.

This font appears designed to evoke medieval manuscript and inscriptional traditions in a modern, consistently drawn set of glyphs. The emphasis is on strong vertical rhythm, sharp internal cuts, and dramatic texture that reads best when the letterforms can assert their structure. It prioritizes atmosphere and presence over neutral readability.

The sample text shows a strong, consistent blackletter rhythm with prominent vertical strokes and characteristic pointed terminals that create a dark, even typographic color. Uppercase forms feel especially emblematic and monolithic, while lowercase maintains the same carved, broken-stroke logic for a cohesive overall system.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸