Sans Faceted Omho 2 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Lyu Lin' by Stefan Stoychev (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, industrial, angular, retro, technical, assertive, display impact, space saving, industrial tone, geometric clarity, faceted, chamfered, blocky, geometric, high-contrast (form).
This typeface uses straight, faceted strokes that substitute planar corners for curves, producing a chiseled silhouette throughout the alphabet. Stems are consistently heavy with largely uniform stroke weight, while joints and terminals are cut on angles that create a rhythmic, octagonal feel in round forms. Proportions are compact and vertical, with tight interior counters (notably in B, P, R, and 8) and a firm, stable baseline presence. The lowercase follows the same angular logic with simplified, sturdy shapes and minimal modulation, maintaining a cohesive, engineered texture in text.
It is well suited to display applications such as posters, headlines, product branding, packaging, and wayfinding where its angular personality can be a feature. The sturdy shapes and compressed rhythm also work well for short bursts of copy in badges, labels, sports or industrial-themed graphics, and UI headings where a strong, technical accent is desired.
The overall tone is utilitarian and decisive, with a rugged, machined character that reads as technical and slightly retro. Its sharp facets and condensed stance convey strength and efficiency rather than softness, lending an industrial edge to headlines and labels.
The design appears intended to deliver a bold, space-efficient display voice built from geometric facets, evoking cut metal or carved signage. By replacing curves with chamfered planes and keeping stroke weight consistent, it aims for a crisp, engineered look that remains legible while projecting a distinctive industrial attitude.
The faceting is applied consistently to both uppercase and lowercase, including digits, which helps keep a uniform texture across mixed-case settings. The squared-off punctuation-less sample indicates it holds together best when set with a bit of breathing room, as the dense counters and angular joins can visually darken at smaller sizes or tight tracking.