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Free for Commercial Use

Solid Tetu 11 is a very bold, normal width, low contrast, upright, tall x-height font.

Keywords: posters, headlines, logos, packaging, merch, playful, chunky, retro, quirky, cartoony, attention grab, retro flavor, novel display, cutout effect, logo ready, blocky, soft-edged, stencil-like, bubbly, cutout.


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A heavy, display-oriented face built from chunky, simplified silhouettes with rounded outer curves and frequent notched, stepped cut-ins. Counters are largely collapsed, giving many letters a solid, cutout-like mass where recognition relies on distinctive bites and angular intrusions rather than open interior space. The geometry alternates between circular forms (O/C/G) and blunt rectangular strokes (E/F/H), producing an intentionally uneven rhythm and a slightly improvised, hand-cut feel. Details like the one-story a and g, small ink-trap-like bites, and squared terminals contribute to a bold, compact texture in words.

Best suited for short, high-impact settings such as posters, splash headlines, logo wordmarks, product packaging, stickers, and merchandise graphics. It can also work for playful event titles or retro-themed promotions where a bold, solid texture is desirable, but it is less appropriate for long passages or small sizes due to the collapsed interiors.

The overall tone is loud, playful, and slightly mischievous—more like a toy-box poster or novelty packaging than a conventional text face. Its solid, punchy shapes evoke retro sign lettering and cartoon title cards, with a quirky irregularity that reads as intentionally “cut out” and attention-seeking.

The design appears intended to maximize visual impact through solid silhouettes and distinctive cut-ins, trading conventional counterforms for a memorable, novelty shape language. It aims to feel handcrafted and retro, with simplified letter anatomy that stays legible through unique notches and strong overall mass.

In continuous text, the dense silhouettes create a strong black bar effect, so spacing and line breaks matter; the design tends to work best when given room to breathe. Recognition is aided by the consistent notch language across many glyphs, which becomes a defining motif at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸