Outline Tiha 3 is a light, normal width, low contrast, upright, short x-height font.
Keywords: headlines, posters, packaging, book covers, logos, whimsical, vintage, playful, storybook, decorative, decorative display, vintage revival, ornamental titling, brand character, monoline, inline, double-line, narrow apertures, curled terminals.
This typeface is drawn with an outline/inline construction that reads like a delicate double-line skeleton: a continuous outer contour paired with an inner stroke that creates a hollowed, airy letterbody. Strokes remain fairly even, with crisp joins and mostly bracketless, calligraphic-like shaping rather than sharp slab forms. The serif treatment is light and ornamental, and several glyphs feature curled or hooked terminals (notably in letters like J, Q, y, and some lowercase forms), giving the set a lively, hand-finished rhythm. Proportions skew tall with relatively small lowercase bodies, and spacing appears open enough to keep the interior linework from visually clogging at typical display sizes.
Best suited for display typography where its outline/inline construction can be appreciated—headlines, posters, editorial feature titles, packaging, and logo/wordmark concepts. It can also work for short pull quotes or invitations when set with generous size and spacing to preserve the interior detailing.
The overall tone is charming and slightly eccentric, evoking vintage signage, storybook titling, and decorative print ephemera. Its hollow construction and curl details lend a playful sophistication—more ornamental than formal—while maintaining a readable, upright presence.
The design appears intended to provide a decorative, vintage-leaning serif with a hollow, illustrative build—prioritizing personality and texture over neutral body-text efficiency. The consistent inline treatment and curled terminals suggest a focus on distinctive titling and ornamental branding applications.
The inline detail creates strong sparkle on curves (C, O, S) and emphasizes counters, while narrow interior spaces in smaller lowercase shapes can look busier as size decreases. Numerals follow the same outlined, lightly embellished logic, helping the font feel cohesive across letters and figures.