Sans Superellipse Omloy 10 is a regular weight, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Chamelton' by Alex Khoroshok, 'Mono Spec' by Halbfett, 'Monoplan' by Plantype, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).
Keywords: coding, ui labels, data tables, terminal text, captions, technical, utilitarian, clean, modern, matter-of-fact, legibility, consistency, system utility, modernization, rounded, squared-off, compact, open apertures, crisp terminals.
This typeface presents a disciplined, modular construction with rounded-rectangle geometry throughout. Strokes are even and consistent, with corners softened into smooth radii rather than sharp joins, giving letters a squared-yet-rounded silhouette. Counters tend to be wide and clear (notably in O, e, a, and 0), while curves resolve into slightly flattened arcs that reinforce the superellipse feel. Terminals are typically straight and crisp, and the overall spacing rhythm is steady and mechanical, supporting uniform alignment in text and code-like settings.
It suits interfaces and information-dense layouts where consistent alignment and predictable spacing are important, such as coding environments, terminals, dashboards, tables, and settings panels. The sturdy, rounded construction also works well for short UI labels, captions, and small blocks of text where clarity and rhythm matter more than typographic flourish.
The tone is pragmatic and technical, with a calm, no-nonsense voice. Rounded corners soften the otherwise engineered structure, keeping it approachable while still feeling precise and tool-oriented. Overall it reads as modern and functional rather than expressive or decorative.
The design appears intended to combine a monospaced, systemlike practicality with a friendlier, rounded-rectangular aesthetic. Its consistent stroke logic and controlled geometry suggest a focus on legibility, uniform texture, and dependable performance in structured layouts.
Several glyphs emphasize clarity through simplified forms and distinct silhouettes, including a straightforward, easily distinguishable numeral set and a cleanly drawn lowercase with compact bowls. The punctuation and dots appear robust and clearly placed, and the sample text shows consistent texture with minimal visual noise across long lines.