Sans Normal Koder 12 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Plantago' by Schriftlabor, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, and 'Olivine' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, confident, sporty, contemporary, friendly, dynamic, emphasis, impact, modernity, motion, clarity, slanted, geometric, rounded, compact, clean.
A slanted sans with sturdy, low-contrast strokes and broadly rounded curves. The letterforms lean consistently, with compact apertures and smooth joins that keep counters clear at display sizes. Curves are built from simple elliptical geometry, while diagonals (A, V, W, X, Y, Z) feel crisp and stable. The lowercase shows single-storey forms where visible (notably a and g), with a straightforward, unornamented rhythm and a slightly tight, energetic fit overall.
This font performs best in headlines, posters, and short promotional copy where a compact, energetic slant can carry the message. Its rounded, geometric construction also suits contemporary branding and packaging, especially in contexts that benefit from a sporty or active feel. It can work for UI callouts or labels when used at larger sizes where the compact apertures stay comfortably open.
The overall tone is direct and upbeat, combining a modern, utilitarian voice with a friendly softness from its rounded construction. The steady slant adds motion and urgency, giving it an athletic, forward-leaning character without feeling decorative.
The design appears intended to deliver a modern sans voice with built-in motion and emphasis, pairing geometric roundness with a firm, high-impact stance. It aims for clarity and consistency while projecting speed and confidence through its persistent slant and compact, sturdy shapes.
Figures are simplified and sturdy, matching the letters in weight and curvature, which helps maintain an even color in mixed alphanumeric settings. The italic angle is strong enough to read as intentional emphasis, making the face feel naturally suited to impactful, attention-led typography.