Sans Other Ingen 1 is a bold, normal width, medium contrast, italic, normal x-height font.
Keywords: posters, headlines, branding, packaging, event promo, playful, quirky, hand-cut, energetic, comic, expressive display, handmade texture, visual impact, distinct identity, angular, chiseled, irregular, slanted, cutout.
A slanted, heavy sans with sharp, wedge-like terminals and a distinctly cut-paper construction. Many counters and apertures are rendered as irregular “chips” or faceted cutouts, producing strong internal negative shapes (notably in O, Q, a, e, g, and numerals like 6, 8, 9). Strokes show uneven curvature and asymmetric joins, mixing geometric arcs with knife-edged diagonals; overall spacing and widths vary noticeably from glyph to glyph, reinforcing a handmade rhythm. The lowercase is compact with a single-storey a and g, and the overall silhouette favors abrupt angles over smooth modulation.
Best suited to headlines, posters, and short-form copy where its cutout texture and slanted momentum can be appreciated. It works well for branding accents, packaging, and event or entertainment promotion that benefits from a handcrafted, unconventional tone; it’s less appropriate for dense body text where the interior cutouts may become visually busy.
The font reads as playful and slightly mischievous, with a DIY, collage-like attitude. Its sharp cuts and irregular counters give it a dynamic, almost punk-zine energy while remaining clearly legible at display sizes. The slant adds motion and emphasis, making lines of text feel lively and informal.
Likely designed to deliver a bold display voice that feels handmade and intentionally imperfect, using a consistent cutout-counter motif to create instant recognizability. The goal appears to be expressive impact and personality while keeping core letterforms straightforward enough for quick reading.
Distinctive inner “cutout” shapes act like a recurring motif across letters and figures, creating a recognizable texture in words and numbers. Pointed diagonals and occasional long, blade-like strokes (e.g., in K, M, N, V/W) add drama, while round forms (O/C/G) keep the palette from feeling purely angular.