Sans Normal Kyrag 4 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Salma Alfasans' by Alifinart Studio, 'European Sans Pro' and 'European Soft Pro' by Bülent Yüksel, 'Afical' by Formatype Foundry, 'Urania' by Hoftype, 'Helvetica Now' by Monotype, and 'Glimp' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app headers, sporty, energetic, modern, confident, dynamic, impact, speed, modernity, branding, clarity, oblique, rounded, compact, punchy, clean.
A heavy, oblique sans with smooth, rounded corners and largely monolinear stroke behavior. Forms are built from broad curves and sturdy straight segments, producing open counters and clear interior spaces at display sizes. The design leans forward consistently, with squared-off terminals softened by rounding, giving letters a compact, engineered feel rather than a calligraphic one. Uppercase construction is robust and geometric, while the lowercase follows the same simplified, rounded logic with tight joins and strong, stable bowls.
Best suited to short-form, high-impact settings such as headlines, posters, sports and event branding, packaging callouts, and UI or editorial section headers. It can work for brief emphatic copy, but its strong slant and dark typographic color make it more comfortable as a display face than for extended reading.
The overall tone is energetic and assertive, with a forward-referencing slant that reads as fast and contemporary. Its chunky silhouettes and softened edges balance toughness with approachability, evoking a sporty, headline-driven voice that feels confident and direct.
The font appears designed to deliver a modern, high-energy sans voice with a forward-leaning stance and rounded, industrial geometry. Its emphasis is on bold presence, quick recognition, and a cohesive, simplified shape system that remains clean and legible at display scales.
Numerals follow the same sturdy, rounded construction and read best at larger sizes where the slant and massing can work as a visual asset. In running text, the dense color and consistent forward angle create a strong rhythm that can feel emphatic, especially in long passages.