Sans Superellipse Fybof 4 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Ultimatum MFV' by Comicraft, 'Flintstock' by Hustle Supply Co, 'Lobby Card JNL' by Jeff Levine, 'Enamela' by K-Type, 'Dark Sport' by Sentavio, and 'Refuel' by Typodermic (names referenced only for comparison).
Keywords: sports branding, headlines, posters, app ui, product packaging, sporty, dynamic, assertive, techy, modern, convey speed, maximize impact, modernize tone, brand emphasis, oblique, slanted, compact, blocky, angular.
A heavy, forward-slanted sans with compact proportions and rounded-rectangle (superellipse-like) counters. Strokes are monolinear and dense, with broad, squared terminals that are subtly softened at the corners. Curves read as engineered and controlled rather than calligraphic, and the overall rhythm is tight with strong, consistent verticals and crisp joins. Figures and capitals are sturdy and geometric, favoring closed, streamlined shapes and a distinctly italic stance.
Best suited for bold display settings where impact and motion are desirable, such as sports identities, event graphics, and promotional headlines. It can also work for short UI labels, badges, and packaging callouts where a strong, modern voice is needed, though extended small-text reading is likely better reserved for limited amounts due to the dense texture.
The font projects speed and force, with a competitive, performance-oriented tone. Its geometric, rounded-rect construction adds a contemporary, tech-leaning feel, while the strong slant suggests motion and urgency. Overall it feels confident and attention-grabbing rather than neutral.
The design appears intended to deliver a fast, modern display voice by combining a strong italic posture with geometric, rounded-rect forms. Its consistent stroke weight and compact counters prioritize solidity and legibility at larger sizes while maintaining a streamlined, performance aesthetic.
The design leans on rectangular geometry throughout, with counters that stay compact and squared-off even in round letters. The italic angle is pronounced enough to create momentum, and the heavy weight produces a dark, high-impact texture in longer lines of text. Numerals match the same robust, streamlined construction for consistent signage and display use.