Sans Superellipse Agkal 2 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'PT Filter' by Paavola Type Studio (names referenced only for comparison).
Keywords: ui text, product design, editorial, signage, branding, clean, modern, friendly, neutral, technical, clarity, modernization, approachability, systematic design, versatility, rounded, square-ish, monoline, open apertures, humanist touch.
A clean monoline sans with rounded-rectangle construction throughout. Curves resolve into soft corners rather than true circles, giving counters and bowls a squared, superelliptical feel. Strokes keep an even thickness with minimal modulation, terminals are mostly flat or gently rounded, and curves connect smoothly with little visual tension. Proportions favor a clear, contemporary rhythm: roomy interior spaces, open apertures, and straightforward, unembellished letterforms that read crisply in text and at display sizes.
This font works well for UI and product environments where clarity, consistency, and compact visual noise are important. It also performs reliably in editorial and informational settings, and its softened geometry makes it a good fit for contemporary branding and straightforward signage where a clean, modern voice is desired.
The overall tone is modern and approachable, balancing a tech-forward geometry with softened corners that keep it from feeling severe. It projects clarity and efficiency while remaining friendly and understated, making it well suited to clean interfaces and contemporary branding.
The design appears intended to deliver a contemporary sans optimized for readability and visual uniformity, using superelliptical rounding to soften a geometric framework. It aims for an unobtrusive typographic color that stays legible in paragraphs while retaining enough distinctive shape language for headings and interface labels.
Uppercase forms are simple and architectural, while lowercase introduces a slightly more conversational feel through its rounded joins and open shapes. Numerals follow the same squared-round logic with clear silhouettes and consistent stroke presence, supporting a cohesive typographic color across mixed text and figures.