Sans Superellipse Wuso 9 is a bold, very wide, high contrast, upright, normal x-height font.
Keywords: headlines, logos, sports branding, gaming ui, posters, futuristic, tech, industrial, sporty, retro sci-fi, sci-fi flavor, impact display, systematic geometry, brand voice, square-rounded, extended, geometric, modular, blocky.
A geometric sans built from squared-off, superellipse-like curves and straight runs, producing a tightly engineered, modular silhouette. Corners are consistently rounded, counters tend toward rounded rectangles, and bowls often read as inset “slots” rather than circular openings. Strokes are mostly monolinear with crisp, flat terminals, while select joins and cut-ins introduce sharp diagonals (notably in K, V, W, X, Y) for a mechanical, constructed rhythm. Overall spacing and proportions emphasize width and stability, with sturdy horizontals and compact internal apertures that keep the texture dense and uniform.
Best suited to display applications where its wide stance and blocky geometry can read clearly and set a strong tone: headlines, brand marks, esports/sports identities, packaging callouts, and UI/overlay titles in gaming or tech contexts. It can work for short passages at larger sizes, where the distinctive counters and notches remain legible and intentional.
The face conveys a contemporary, tech-forward tone with a confident, industrial presence. Its squared curves and aerodynamic cuts evoke sci‑fi interfaces, sports branding, and product hardware aesthetics rather than humanist warmth.
The design appears intended to deliver a futuristic, engineered sans that feels robust and modern, using rounded-rectangle construction and controlled cut-ins to create a consistent, interface-like visual system. It prioritizes impact and stylistic coherence across caps, lowercase, and numerals for branding and titling.
Distinctive squared counters and rounded-rectangle geometry give the alphabet a consistent “panel” feel, especially in B, D, O, P, Q, and 0. Several glyphs incorporate notch-like ink traps or inset corners (e.g., C, G, S, a, s, 2, 3), adding character and reinforcing a machined look. The numeral set mirrors the same rounded-rect construction, keeping figures visually compatible with caps in display settings.