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Free for Commercial Use

Inline Irba 7 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Fester' by Fontfabric, 'Evanston Tavern' by Kimmy Design, and 'Hemispheres' by Runsell Type (names referenced only for comparison).

Keywords: headlines, posters, sports branding, signage, packaging, athletic, retro, industrial, poster-like, loud, high impact, space saving, vintage signaling, decorative depth, slab-like, rounded corners, monoline, outlined, condensed.


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A condensed, heavy display face built from blocky, monoline strokes with softly rounded outer corners. The letters read as solid forms interrupted by a consistent inline channel that tracks through the stems and bowls, creating a carved, sign-painted feel. Counters are generally compact and rectangular, terminals are blunt, and curves are squarish rather than circular. Overall spacing and rhythm are tight and vertical, with sturdy caps and similarly assertive figures.

Best suited to display settings where the inline detailing can be appreciated: headlines, posters, team or athletic branding, badges, and bold packaging or label typography. It can also work for short signage copy or UI titles when set large enough to keep the inner channel clear.

The inline cut gives the design a bold, energetic tone associated with vintage athletic lettering and mid-century signage. Its dense shapes and engineered geometry feel confident and a bit rugged, projecting a utilitarian, high-impact personality suited to attention-grabbing headlines.

The design appears intended as a high-impact condensed display face that blends sturdy, slab-like construction with an engraved inline to add depth and character. It aims to deliver maximum presence in tight horizontal spaces while maintaining a consistent, decorative interior detail.

The squared construction and rounded corners keep the forms stable at large sizes, while the internal channel adds visual texture that can fill in at small sizes. Diagonals (like in K, V, W, X, Y, Z) maintain the same heavy weight and the inline detail, preserving a consistent, mechanical rhythm across the alphabet and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸