Outline Urte 2 is a very light, wide, medium contrast, upright, normal x-height font.
Keywords: headlines, logotypes, posters, packaging, invitations, art deco, elegant, airy, stylized, dramatic, deco revival, luxury branding, decorative display, architectural feel, lightness, monoline, high-waist, geometric, ornamental, open counters.
A very light, outline-driven design with crisp, monoline contours and generous interior space. Forms lean geometric, with tall caps, clean vertical stress, and frequent use of straight-sided stems paired with rounded bowls. Several glyphs introduce intentional breaks and cut-in notches, giving the outlines a segmented, constructed feel rather than continuous stroke flow. Curves are smooth and near-circular in letters like O/C/G, while diagonals in A/V/W/X are sharp and angular; overall spacing reads open and the color stays delicate at text sizes.
Best suited to display settings where the fine outline and decorative cut-ins can be appreciated: headlines, brand marks, editorial covers, event posters, packaging, and invitations. It will be most effective at larger sizes or in applications that allow generous tracking and clear reproduction of the thin contours.
The font projects a refined, fashion-forward tone with a clear Art Deco flavor—sleek, architectural, and a bit theatrical. Its airy outlines and selective interruptions add a sense of sparkle and sophistication, suggesting nightlife posters, boutique branding, and modern glamour rather than utilitarian neutrality.
The design appears intended to deliver a contemporary take on classic Deco geometry through an outline-only construction, emphasizing elegance and negative space. The segmented details and high-contrast silhouette choices aim to create a distinctive, boutique display voice rather than a purely functional text face.
Rhythm is driven by strong verticals and consistent thin contour weight, with occasional decorative idiosyncrasies (notched joins, broken segments, and ornamental terminals) that make individual letters feel display-oriented. The outline construction keeps the texture light and transparent, so contrast comes more from shape and spacing than from stroke mass.