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Sans Normal Asrah 2 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Neutro' by Durotype, 'Giriton' by Hazztype, 'Santral' by Taner Ardali, 'Gravita' by TipoType, and 'Segment' by Typekiln (names referenced only for comparison).

Keywords: ui design, branding, signage, headlines, body text, clean, modern, friendly, neutral, tech, clarity, versatility, modernity, approachability, system-like consistency, geometric, rounded, open counters, high legibility, even rhythm.


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A clean geometric sans with near-monoline stroke behavior and a strong reliance on circular and elliptical curves. Uppercase forms are crisp and simplified, with broad, open bowls (C/G/O/Q) and straightforward horizontals and diagonals; the overall rhythm feels even and uncluttered. Lowercase is similarly geometric, using single-storey a and g, a rounded, open e, and a compact, utilitarian r; terminals are mostly straight-cut with subtle rounding from the curve geometry. Figures are simple and highly readable, with a round 0 and balanced, open shapes in 6/8/9.

Well-suited to interface typography, product branding, and wayfinding where clean geometry and quick recognition matter. It also performs nicely in short-to-medium passages of text, and scales effectively for headlines thanks to its open counters and straightforward letterforms.

The font reads as modern and approachable, combining a neutral, functional tone with gently rounded geometry. Its clarity and lack of ornamentation give it a contemporary, product-oriented feel, while the circular forms add a friendly softness.

The design appears intended as a versatile, general-purpose geometric sans that prioritizes clarity and visual consistency. Its simplified construction and rounded forms suggest a focus on contemporary digital and editorial use, aiming for a balanced mix of neutrality and friendliness.

Counters stay open and generous in both cases, supporting clear word shapes in running text. The lowercase t uses a simple crossbar and short ascender, and the j descends with a clean hook-like curve, reinforcing the overall geometric consistency. Uppercase diagonals (A/V/W/X/Y) are sharp and confident, contrasting nicely with the rounded bowls elsewhere.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸