Sans Other Olma 2 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, game ui, tech branding, techno, industrial, futuristic, gaming, sci‑fi, impact, sci‑fi voice, interface style, signage feel, modular construction, angular, blocky, geometric, stencil-like, chamfered.
A heavy, geometric sans with squarish proportions, sharp corners, and frequent chamfered cuts that create an engineered, modular silhouette. Strokes are consistently thick with minimal contrast, and many joins and terminals resolve as flat slabs or angled slices rather than curves. Counters tend to be rectangular and tightly enclosed, with occasional internal cutouts that read like stencil breaks. The overall rhythm is compact and mechanical, with letterforms built from straight segments and polygonal diagonals, giving the set a rigid, constructed feel.
Best suited to short, high-impact settings such as headlines, posters, title screens, game and esports graphics, and tech-oriented branding where a constructed, futuristic voice is desired. It also works for interface labels or display typography when used at generous sizes and with ample spacing to preserve the internal cut details.
The tone is assertive and tech-forward, evoking arcade and sci‑fi interfaces, industrial labeling, and cyberpunk signage. Its angular construction and clipped details project a hard-edged, utilitarian attitude that feels energetic and slightly aggressive rather than friendly or organic.
The design appears intended to deliver a bold, machine-made display voice using modular geometry and chamfered terminals, prioritizing a strong silhouette and a sci‑fi/industrial character over neutral text ergonomics. The consistent straight-edged construction suggests an aim toward signage and screen-oriented aesthetics reminiscent of digital or fabricated forms.
The font emphasizes distinctive silhouettes over conventional readability: several glyphs use unconventional interior notches and segmented bars that become more prominent at smaller sizes. Numerals and capitals appear especially sign-like and uniform, while lowercase retains the same angular logic, reinforcing a cohesive, system-built aesthetic.