Sans Superellipse Yeja 14 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Monster Truck' by Alphabet Agency (names referenced only for comparison).
Keywords: sports branding, esports, posters, headlines, logos, sporty, futuristic, aggressive, dynamic, tech, impact, speed, modernity, branding, display, oblique, rounded corners, squared curves, high impact, compact apertures.
A heavy, slanted sans with wide proportions and rounded-rectangle construction throughout. Strokes are thick and uniform with softened corners, creating superellipse-like bowls and counters that feel engineered rather than calligraphic. Many joins and terminals are cleanly sheared at an angle, and several letters feature horizontal cut-ins or notched details that add speed-line breaks without reducing overall mass. Counters are relatively tight, curves are squarish and controlled, and the overall rhythm is blocky but streamlined, staying visually consistent across caps, lowercase, and numerals.
Well-suited for attention-grabbing display work such as sports identities, esports/event graphics, product branding, and bold headline typography where a sense of speed and power is desirable. It can also work for short UI labels or packaging callouts when set at larger sizes with generous tracking.
The tone is fast and assertive, with a motorsport and sci‑fi edge. Its slant and sharp terminal cuts convey motion and urgency, while the rounded geometry keeps it modern and approachable rather than harsh. The overall impression is high-energy, competitive, and performance-driven.
The design appears intended to deliver a strong, aerodynamic display voice built from rounded-rectangular forms and consistent oblique stress. The added cut-ins and angled terminals suggest a deliberate emphasis on motion and technical precision for contemporary, high-impact branding.
The face reads best when given space: the large footprint and tight internal counters can make small sizes feel dense. Numerals match the letterforms in width and angle, and the punctuation shown (e.g., apostrophe, comma, period) follows the same robust, geometric logic.