Sans Superellipse Logez 12 is a bold, very narrow, monoline, upright, normal x-height font visually similar to 'Milky Bar' by Malgorzata Bartosik, 'Parkson' by Rook Supply, 'Black Phantom Pro' by Salamahtype, 'Agharti' by That That Creative, and 'Beer Time' by Vozzy (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, condensed, industrial, retro, punchy, utilitarian, space saving, signage clarity, modern modularity, strong impact, rounded corners, compact, clean, sturdy, high contrast (shape).
A tall, tightly condensed sans with monoline strokes and generously rounded terminals. Curves resolve into squarish, superellipse-like bowls (notably in O/C/G/Q and the numerals), giving the face a compact, modular feel. The joins are smooth and the counters are relatively narrow, producing a strong vertical rhythm and even texture in text. Letterforms favor simplified geometry—straight stems, soft corners, and minimal flourish—while maintaining clear distinctions across similar shapes.
Best suited to space-constrained display settings where impact and legibility are both needed, such as headlines, posters, labels, and wayfinding. It also works well for brand marks and packaging systems that benefit from a compact, vertically driven rhythm and rounded-rect styling.
The overall tone feels efficient and engineered, with a hint of retro signage. Its narrow, rounded-rect geometry reads as confident and pragmatic rather than delicate, lending an industrial, display-ready character. The friendly corner rounding softens the otherwise strict proportions, keeping it approachable.
The design appears aimed at delivering maximum presence in minimal horizontal space, using softened, superellipse-based construction to keep a strong, modern silhouette without feeling harsh. Its consistent monoline build and simplified forms suggest an emphasis on clarity, repeatable shapes, and reliable texture in bold display text.
The condensed width and compact counters create a dark, continuous color, especially in longer lines. Round dots and punctuation echo the softened corner treatment, and the numerals match the same squared-round construction for consistent texture across mixed content.