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Sans Superellipse Logij 14 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Maildore' by Maulana Creative, 'Placard Next' by Monotype, 'PF Mellon' by Parachute, 'Bashin' by The Native Saint Club, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, branding, signage, packaging, industrial, condensed, retro, posterish, assertive, space saving, high impact, signage clarity, softened strength, rounded corners, pill terminals, compact, blocky, monoline.


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A compact, condensed sans with heavy, monoline strokes and generously rounded corners that give each glyph a soft, superelliptical silhouette. Counters are tight and verticals dominate, creating a strong, upright rhythm with minimal modulation. Terminals are blunt and pill-like, and many letters rely on simplified, rectangular bowls and apertures, producing a dense, uniform texture in words and lines. Numerals follow the same narrow, sturdy construction, with closed shapes and compact spacing that read as emphatic rather than delicate.

Works best in headlines, posters, and short bursts of text where a dense, powerful voice is desired. It’s well suited to signage, packaging, and brand marks that benefit from a condensed footprint and a sturdy, rounded industrial feel. For longer reading, larger sizes and more generous line spacing help maintain clarity as counters tighten.

The overall tone feels industrial and poster-forward, combining blunt strength with a friendly softness from the rounded geometry. It evokes mid-century and signage-inspired modernism—confident, utilitarian, and slightly retro—suited to statements that need to look solid and attention-grabbing.

The design appears intended to deliver maximum impact in limited horizontal space, using rounded-rectangle geometry to keep an assertive weight from feeling harsh. It prioritizes bold, unified texture and strong silhouettes for display communication and graphic applications.

Because the forms are tightly drawn with small internal spaces, the font’s darkest areas build quickly in paragraphs, emphasizing a strong silhouette over fine detail. The condensed proportions and rounded-rectangle construction make word shapes distinctive, while the heavy weight favors display sizes where the softened corners can be appreciated.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸