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Serif Contrasted Timu 8 is a very bold, wide, very high contrast, upright, normal x-height font visually similar to 'EF Bodoni No 1' by Elsner+Flake, 'Bodoni SB' and 'Bodoni SH' by Scangraphic Digital Type Collection, and 'Bodoni' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, editorial design, fashion, posters, branding, editorial, luxury, dramatic, classic, display impact, premium tone, editorial voice, stylized classic, hairline serifs, vertical stress, sharp joins, crisp, sculpted.


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This serif face combines heavy, compact-looking main strokes with extremely thin hairlines and needle-like serifs, producing a strongly sculpted, poster-ready texture. The contrast is pushed to an extreme with a clear vertical stress, and terminals often resolve into fine points or narrow horizontal flicks rather than soft endings. Bowls and counters are tight and dark, giving the letters a carved, high-impact silhouette, while diagonals (notably in V/W/X) read as bold wedges against very light connecting strokes. Overall spacing feels headline-oriented: dense, rhythmic, and highly graphic, with numerals that echo the same stark thick–thin logic.

Best suited to large-size applications such as magazine headlines, fashion and luxury branding, theatrical posters, and high-impact packaging. It can work for short subheads or pull quotes when ample size and good printing/rendering preserve the hairlines.

The tone is assertive and theatrical, with a couture/editorial polish that reads as premium and attention-seeking. Its dramatic contrast and sharp detailing suggest sophistication and formality, but with enough visual punch to feel contemporary in display settings.

The design appears intended to amplify classic high-contrast serif conventions into a striking, modern display style. By pairing very heavy verticals with razor-thin connecting strokes and crisp serifs, it aims to deliver maximum elegance and impact in headline typography.

The design leans on strong black shapes interrupted by hairline cross-strokes and serifs, so small sizes or low-resolution output may lose the finest details. The glyphs show a consistent, high-contrast logic across uppercase, lowercase, and figures, creating a cohesive, stylized voice for short runs of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸