Sans Normal Bybud 12 is a light, wide, low contrast, upright, normal x-height font visually similar to 'Interval Next' by Mostardesign, 'Neue Reman Gt' and 'Neue Reman Sans' by Propertype, and 'Puck' by Type.p (names referenced only for comparison).
Keywords: ui text, body text, branding, editorial, signage, clean, modern, neutral, open, friendly, versatility, legibility, modernity, simplicity, geometric, rounded, minimal, airy, crisp.
This typeface is a streamlined sans with simple, rounded geometry and smooth, continuous curves. Strokes stay even throughout, with clean terminals and minimal detailing, creating a consistent, uncluttered rhythm across both uppercase and lowercase. Counters are generally open and circular, and the forms avoid sharp calligraphic modulation in favor of straightforward construction. Numerals follow the same calm, rounded logic, with clear silhouettes and restrained proportions suited to continuous reading.
It fits well in interface and product typography where clarity and a modern, unobtrusive tone are needed. The open forms and even rhythm make it suitable for longer passages in editorial layouts, and its clean geometry also supports contemporary branding systems. At larger sizes, it can work effectively for simple signage and headings that benefit from a calm, straightforward sans.
The overall tone is modern and neutral, leaning toward an approachable, everyday clarity rather than a strongly stylized voice. Its rounded forms and open spacing give it an airy, friendly presence, while the restrained detailing keeps it professional and dependable.
The design appears intended as a versatile, general-purpose sans that prioritizes legibility and visual neutrality while keeping a softly geometric, friendly finish. Its consistent construction suggests a focus on dependable text performance alongside a contemporary, minimal aesthetic.
The sample text shows steady word shapes and good separation between letters, helping it maintain clarity at text sizes. Circular letters (like O/o) read smoothly and even, while angular forms (like V/W/X/Y) remain controlled and not overly sharp, preserving the font’s gentle, geometric character.