Sans Superellipse Ofreg 3 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, app branding, headlines, logos, posters, techy, modular, friendly, futuristic, utilitarian, geometric coherence, ui friendliness, tech branding, display impact, modular construction, rounded corners, squared curves, geometric, soft edges, compact.
A monoline geometric sans built from rounded-rectangle and superellipse-like forms, with generously radiused corners and straight-sided curves. Strokes are consistently heavy and even, producing a solid, high-contrast silhouette against the counters. Proportions lean compact with squared bowls (notably in O/C/D) and controlled apertures, while joins and terminals stay soft and blunt rather than sharp. The lowercase is simple and structured, with single-storey forms and minimal modulation, and the numerals echo the same rounded-rect geometry for a cohesive set.
This font is well suited to UI labels, product naming, and short-to-medium headlines where its rounded-rect geometry can read as intentional and modern. It can work effectively for tech branding, packaging, posters, and wayfinding-style titling where a sturdy, friendly industrial tone is desired. In longer passages, it will be most comfortable at larger sizes with ample line spacing to let the compact counters breathe.
The overall tone feels contemporary and technical, like interface lettering softened by rounded corners. Its blocky geometry suggests engineered precision, while the softened terminals keep it approachable rather than severe. The result reads as retro-futuristic and gadget-oriented, with a clean, modular rhythm.
The design appears intended to translate superellipse and rounded-rectangle geometry into a cohesive text-and-display sans, prioritizing a consistent modular construction and a robust, contemporary presence. It balances a machine-made feel with softened corners to remain approachable across branding and interface contexts.
The design maintains strong stylistic consistency across caps, lowercase, and figures, with counters that tend toward squarish shapes and a slightly condensed internal spacing feel. The rounded-rectangle construction gives many glyphs a “capsule” profile, which remains legible but distinctly stylized, especially in tight text.