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Sans Normal Mumos 5 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'ITC Franklin' by ITC, 'Passenger Sans' and 'Passenger Sans Cyrillic' by Indian Type Foundry, 'Murs Gothic' by Kobuzan, and 'Molde' by Letritas (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, signage, punchy, playful, retro, friendly, confident, display impact, approachability, retro flavor, brand presence, bold clarity, blocky, rounded, soft corners, high impact, compact counters.


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A heavy, geometric sans with rounded outer curves and generally squared-off terminals, producing a sturdy, block-like silhouette. Strokes are consistently thick with only modest shaping, and the counters are relatively tight, especially in letters like B, P, and R. Curves tend toward broad arcs rather than delicate modulation, while joins and corners often read as subtly softened rather than sharp. Uppercase forms are wide and assertive; lowercase is similarly robust, with a single-storey a and g and compact interior spaces. Numerals are bold and simplified, with the 0 and 8 particularly dense and round, reinforcing the overall weighty, poster-ready texture.

This typeface performs best in display contexts such as headlines, posters, signage, and packaging where its mass and width can deliver strong presence. It also works well for branding marks, labels, and short calls-to-action that benefit from a friendly but forceful voice. For longer passages, it’s better used sparingly (larger sizes and generous spacing) to avoid an overly dense text color.

The font projects a bold, upbeat tone that feels approachable and slightly nostalgic. Its chunky proportions and rounded geometry create a friendly, comic-adjacent energy without becoming decorative. Overall it reads as confident and attention-grabbing, suited to short, emphatic messaging.

The design appears aimed at delivering maximum impact through simple geometric shapes, wide proportions, and softened corners, balancing toughness with approachability. It prioritizes legibility at large sizes and a cohesive, chunky rhythm across letters and numerals.

At text sizes in the sample, the dense counters and heavy strokes create a dark, compact color, so spacing and line length become important for readability. The ampersand matches the same chunky, rounded construction, keeping punctuation visually consistent with the letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸