Blackletter Tupy 2 is a regular weight, normal width, high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, book covers, certificates, medieval, gothic, formal, dramatic, ornate, historical evocation, ornamental display, ceremonial tone, dramatic emphasis, angular, calligraphic, broken strokes, spurred, flourished.
This typeface presents a sharply broken, calligraphic construction with pronounced thick–thin modulation and crisp, blade-like terminals. Strokes are predominantly vertical and upright, punctuated by angled joins, split forms, and occasional looped bowls that add complexity without losing structure. Capitals are highly embellished with internal curls and pointed serifs, while the lowercase is more restrained and narrow, maintaining a consistent blackletter rhythm and dense texture. Numerals echo the same pen-driven contrast and pointed finishing, pairing well with the letterforms in display settings.
Best suited for headlines, mastheads, and branding where a medieval or gothic atmosphere is desired, such as album art, event posters, packaging, and title treatments. It can also work for short passages in themed materials (certificates, invitations, chapter openers) where dense blackletter texture is an asset rather than a drawback.
The overall tone is historic and ceremonial, evoking manuscript lettering, heraldic titles, and ecclesiastical or royal announcements. Its sharp angles and decorative capitals create a dramatic, authoritative presence with an unmistakably old-world character.
The design appears intended to reinterpret traditional blackletter forms with expressive, pen-like contrast and decorative capitals, prioritizing atmosphere and period flavor. It aims to deliver strong historical cues and visual authority through angular construction, spurs, and flourished details.
The font’s texture becomes quite dark and patterned in longer lines, with distinctive, characterful capitals acting as strong visual anchors. The mix of restrained lowercase and flourished uppercase suggests it is intended to balance readability with ornamental impact in short-to-medium runs of text.