Sans Superellipse Ommuj 4 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Hilumion Sans' by Brainwaves Studio, 'Conthey' and 'Conthey Inline' by ROHH, and 'Godiva' by Suby Studio (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, signage, industrial, retro, poster-ready, assertive, playful, space-saving, high impact, retro modernity, geometric cohesion, condensed, rounded, squared-off, sturdy, high-contrast shapes.
A condensed sans with uniform stroke weight and strongly rounded-rectangle construction. Curves resolve into flat-sided bowls and softened corners, creating a superellipse feel in letters like O, C, and D, while verticals stay straight and prominent. Terminals are clean and mostly blunt, with occasional tapered joins in V/W-style forms, and the overall spacing and proportions favor tall, compact word shapes. The lowercase keeps single-storey a and g, a short crossbar on t, and clear, simple counters that remain open despite the tight width.
Best suited to headlines, posters, packaging, and branding where condensed, high-impact lettering is needed. It also works well for signage or short labels that benefit from strong vertical emphasis and compact width. For long passages, more generous leading and size will help preserve clarity.
The tone is bold and utilitarian with a distinctly retro-industrial flavor. Rounded corners keep it friendly and approachable, while the condensed proportions and heavy presence add urgency and confidence, making it feel at home in punchy, attention-driven typography.
The design appears intended to deliver maximum impact in minimal horizontal space, using rounded-rectangle geometry to create a distinctive, cohesive voice. Its simplified, sturdy construction prioritizes bold readability and a recognizable silhouette for display-oriented typography.
Distinctive character comes from the squared curves and narrow bowls, which create a consistent rhythm across the alphabet and numerals. The figures share the same tall, compressed stance as the letters, helping mixed alphanumeric settings look cohesive. At smaller sizes, the condensed apertures and heavy weight can make dense text feel packed, while at display sizes the geometry reads crisp and intentional.