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Stencil Eswe 2 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Hoolister' by Ckhans Fonts, 'Nickels' by Maulana Creative, 'Maximalis' by Say Studio, and 'Unamel' by Sensatype Studio (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, authoritarian, retro, noir, mechanical, impact, stencil identity, space saving, graphic pattern, condensed, geometric, art deco, modular, monoline.


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A tightly condensed, heavy display face built from simple geometric strokes with rounded outer corners and abrupt, squared terminals. The defining feature is a consistent vertical slit and occasional internal breaks that segment bowls and stems into stencil-like modules, creating strong positive/negative interplay. Forms are largely monoline and upright, with compact counters and a rhythmic, columnar texture that stays visually uniform across caps, lowercase, and figures.

Best suited to bold headlines, posters, and title cards where the stencil breaks can be appreciated at scale. It also fits packaging, signage, and logotype work that wants an industrial or retro-institutional voice, especially when used with generous tracking or ample line spacing.

The repeated cuts and narrow proportions evoke utilitarian labeling, military hardware, and early 20th‑century poster vernacular. It reads as forceful and graphic, with a slightly theatrical, vintage edge that can feel noir or propaganda-adjacent depending on setting and copy.

The design appears intended to deliver maximum impact in a compact width while using systematic internal cuts to create a signature stencil identity. Its geometry and consistent bridging suggest a focus on repeatable, industrial forms that stay cohesive across a full alphanumeric set.

Readability drops at small sizes because the internal gaps and tight counters begin to merge, but at large sizes the cut-ins become a distinctive patterning device. Numerals and punctuation match the same modular logic, helping lines of text maintain a consistent, engineered tone.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸