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Free for Commercial Use

Sans Normal Otgin 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Seitu' by FSD, 'Noah' by Fontfabric, 'Kirshaw' by Kirk Font Studio, and 'Clear Sans Screen' and 'Clear Sans Text' by Positype (names referenced only for comparison).

Keywords: branding, logotypes, posters, headlines, packaging, playful, modern, friendly, quirky, techy, distinctive branding, geometric clarity, contemporary tone, logo signature, geometric, rounded, circular counters, soft corners, stencil breaks.


Free for commercial use
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A geometric sans with heavy, even strokes and rounded, circular construction throughout. Many bowls and counters lean toward near-perfect circles, giving the design a smooth, engineered rhythm. Distinctive small vertical breaks appear in several rounded forms (notably in O/o and Q/q), creating a subtle stencil-like interruption that becomes a key identifying feature. Terminals are mostly blunt with softened edges, proportions are compact, and the overall texture is dense and highly legible at display sizes.

Best suited for branding systems, wordmarks, headlines, and poster typography where its geometric construction and signature breaks can be appreciated. It can also work for packaging and interface display text when a friendly, modern tone is desired, while long-form reading may feel visually busy due to the recurring stencil-like cuts.

The circular geometry and repeated counter breaks lend a contemporary, slightly futuristic character with a playful twist. It reads confident and friendly rather than formal, with a branded, logo-ready personality that feels at home in modern digital and product contexts.

The design appears intended to modernize a classic geometric sans foundation by adding a consistent, recognizable counter-break motif. This creates an ownable visual signature while maintaining straightforward forms and strong legibility for display-driven use.

The numerals follow the same rounded logic, with ample weight and simple silhouettes that stay consistent with the letterforms. The repeated interior interruptions introduce visual sparkle and differentiation, but they also make the face feel more distinctive than a neutral workhorse sans.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸