Sans Other Olmy 3 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Fagot' by VladB (names referenced only for comparison).
Keywords: display, headlines, posters, branding, logos, futuristic, techno, industrial, sci‑fi, sporty, tech aesthetic, display impact, brand identity, modular system, mechanical tone, rounded corners, ink‑trap cuts, stencil-like, geometric, angular.
A heavy, squared sans with softened outer corners and a consistent, monoline-like stroke presence. Many curves are engineered into rounded rectangles and C-shaped arcs, while joins and terminals often resolve into sharp, chamfered cuts or small notches that suggest ink-trap/stencil logic. Counters tend to be compact and rectangular, producing a dense, high-impact texture; horizontals are prominent and the overall construction favors broad, stable silhouettes with occasional asymmetrical cut-ins that add motion. Numerals and lowercase share the same modular geometry, keeping a tightly systematized rhythm across the set.
Best suited to display typography where its notched, techno geometry can read clearly—headlines, posters, packaging, esports/sport graphics, and tech or entertainment branding. It can also work for short UI labels or interface-style callouts when a strong, futuristic tone is desired, but it is less appropriate for long-form body text due to its dense counters and distinctive cuts.
The design reads as futuristic and technical, with a slightly aggressive, performance-oriented voice. Its engineered cut-ins and squared curves evoke industrial interfaces, sci-fi titling, and contemporary tech branding, giving text a confident, machined tone rather than a neutral one.
The font appears designed to deliver a bold, modern techno aesthetic through modular geometry, rounded-rectangle curves, and purposeful cut terminals that add speed and mechanical precision. The consistent system of notches and chamfers suggests an intention to create a recognizable, brandable voice that remains coherent across letters and numerals.
The distinctive corner treatments and internal notches create strong identity at display sizes, but also introduce a busier interior rhythm in longer passages. The glyphs feel deliberately modular, as if built from a small set of geometric parts, which helps maintain consistency across uppercase, lowercase, and figures.