Sans Superellipse Endod 14 is a bold, very wide, monoline, italic, tall x-height font visually similar to 'FX Ambasans' by Differentialtype and 'Hyperspace Race' by Swell Type (names referenced only for comparison).
Keywords: sports branding, automotive, gaming, tech branding, posters, futuristic, tech, racing, energetic, sleek, speed, modernity, impact, precision, branding, rounded corners, chamfered, geometric, extended, forward-leaning.
A geometric, forward-leaning sans built from rounded-rectangle forms and straightened curves, with consistently softened corners and occasional chamfer-like cuts. Strokes stay even in thickness, while the wide set and squared counters create a compact, engineered rhythm across words. Terminals tend to be flat and angled, and bowls and apertures read as superelliptical shapes rather than circular ones, giving the letterforms a crisp, aerodynamic feel. Numerals and capitals share the same extended footprint and rounded-square logic, producing uniform texture in display sizes.
Well suited to headlines, logos, team or event identities, esports/gaming graphics, and automotive or tech marketing where a dynamic, speed-forward look is desired. It also works for UI-style callouts, packaging, and signage when set large, where its squared-round geometry and oblique momentum can carry the visual voice.
The overall tone is fast, technical, and contemporary, evoking motorsport graphics, sci‑fi interfaces, and product branding that wants to feel streamlined and high-performance. The oblique stance and squared curves add urgency and motion, while the rounded corners keep it approachable rather than aggressive.
The design appears intended to deliver a modern, performance-oriented voice by combining extended proportions with superelliptical construction and a consistent forward slant. Its simplified, engineered shapes prioritize impact and a clean, industrial finish over traditional, text-first softness.
The design leans on strong horizontal emphasis and tight, angular joins, which makes it especially punchy in short phrases and all-caps settings. Counters stay open and rectilinear, supporting clear silhouettes even with the condensed inner space typical of wide, squared forms.